Ship Dance
What's New Acting Writing Diversity At Home Email twitter
Welcome to my website. Here's what's new:
Sunday In The Park With George

2017 was full of great adventures and 2018 is off to an amazing start!

Currently filming season 2 of the Netflix Marvel series IRON FIST in a fantastic role that I can’t tell anyone more about till it streams later this year.

A big highlight of 2017 was getting to do the Guthrie Theater’s gorgeous production of SUNDAY IN THE PARK WITH GEORGE, directed by Joseph Haj. I loved playing George’s mother (and Blair Daniels) opposite Randy Harrison.

Photo: T. Charles Erickson

Aijona Alexus I had the honor of being one of 12 female screenwriters chosen to participate in the Meryl Streep-funded/IRIS Screenwriting Lab for Women Over 40 in September of 2016 with my script LOOK UP (formerly called JUMPING THE THIRD RAIL). IRIS hosted an industry event for us at Raleigh Studios in Hollywood in November of 2017, featuring scenes from all of our screenplays. Ajiona Alexus, from 13 REASONS WHY, was one of the actors in my scene.

Click here to read about my play THE SECRET WISDOM OF TREES in an interview I did with playwright/journalist Kenneth Jones
and here for an article in playbill.com

A monologue from this play will be published in Applause Books’ Anthology entitled "Later Chapters: The Best Scenes and Monologues for Actors Over 50” coming out later this year.

The Secret Wisdom of Trees BARCELONA an original musical that I wrote book & lyrics for with the amazing composer/lyricist Jason Ma was one of five new shows that were presented at Village Theatre's Festival of New Musicals in August of 2015.
We were very excited to make our Pacific Northwest Debut at the theatre that developed NEXT TO NORMAL, among others, and are currently looking for a home for the show.
Johnson and Ma

Lots of news about my plays and musicals to report! I’m currently developing GUILTY UNTIL PROVEN INNOCENT (for my dear friend Reggie Lee, of NBC’s GRIMM) in Los Angeles.

Alan Campbell TRUTH AGAINST THE WORLD: THE LIFE AND LOVES OF FRANK LLOYD WRIGHT which I wrote and directed starring my good friend, Tony-nominee Alan Campbell, developed in residence at the O’Neill Theater Center - was presented on October 27, 2017 at Hunter College’s Lang Recital Hall with support from Actors’ Equity Association’s EEOC and a grant from the Lower Manhattan Cultural Council. The play will have its world premiere at NC State in the Kennedy/McIlwee Studio Theatre in Raleigh, North Carolina in April.
NO WAVE WITHOUT WIND (a screenplay I wrote with my seriously multi-talented friend Charles Randolph-Wright), is currently making the rounds.

Bobby Cronin

TILL SOON, ANNE (book & lyrics by me, music by fabulous composer Bobby Cronin , developed in 2 independent residencies at the Eugene O’Neill Theater Center) will have 2 presentations in NYC later this year, one with support from the Lower Manhattan Cultural Council in April and another produced by New York Theatre Barn in the Fall. Stay tuned for details.

Bobby and I also had a great time collaborating on Prospect Theater Company’s “Stage Fright”, a collection of 8 original 10-minute musicals, in October of 2015. Our show, MY BOYFRIEND IS AN ALIEN (AND I’M OKAY WITH THAT!), was super silly and fun. And we’ve written two movie musicals together: WINNING NEW YORK (screenplay & lyrics by me, music by Bobby, now playing the film festival circuit and garnering some awards) and FOOD LIKE LOVE (screenplay & lyrics by me, music by Bobby) for The New York Film Academy.

Click here for other news about my plays.
You can read the scripts to a lot of my plays here

On Television over the past year: I loved returning to THE AMERICANS as “Linh Gaad" (season 5), and also guest starring as "Judge Martha Conway" on BULL (season 2) as well as recurring as "Professor Allison Mott" on the new Lifetime series, YOU (air dates TBD). I’m super excited to be joining the Marvel Universe in 2018 (shhh…no details allowed!)

back to top

The Americans

Christine Toy Johnson Reel from Bruce Johnson

Christine Toy Johnson Comedy Reel from Bruce Johnson

I had a blast being a part of the first season of UNBREAKABLE KIMMY SCHMIDT (episode 12 “Kimmy Goes to Court”)
Photo: News anchor "Carol Doberman" with "Titus Andromedon" (Titus Burgess).
Though it’s been a while since Baby Noah has needed me, I play the recurring role of “Dr. Celia Lee”, Olivia Benson’s son’s pediatrician, on LAW AND ORDER: SVU on NBC

FIA Logo

I was so honored to speak at a plenary about “The Global Impact of Diversity on our Stages” at FIA (International Federation of Actors) at their 2015 conference in Dublin. The International Federation of Actors (FIA) is a global federation of performers’ trade unions, guilds and professional associations. Founded in 1952, it represents several hundreds of thousands of performers with some 90 member organisations in more than 60 countries around the world.

An interview I did for the TCG Diversity and inclusion national conference:

Beating Down the Doors

I've loved getting to do some of the great "Golden Age" musicals of all time!
Bloody Mary Dolly Levi Lady Thiang
"Bloody Mary" in SOUTH PACIFIC "Dolly Levi" in HELLO, DOLLY! "Lady Thiang" in THE KING AND I

Doing this show at the Guthrie Theater this past summer was one of the absolute highlights of my career. Directed by Joseph Haj with musical direction by Tim Weil, choreography by Danny Pelzig, sets by JohnLee Beatty, costumes by Jennifer Caprio and lights by Justin Townsend, this was a gorgeous production that I will never forget.

Here’s an interview I did on Playbill.com about my experience.

In 2013 I had a glorious time in Baayork Lee's National Asian Artist Project production. The show was directed by Lee Roy Reams, who directed the last Broadway revival, choreographed by Randy Slovacek ("Mr. Mistoffeles" in CATS with me) and musical directed by Kevin Farrell (with whom I had worked on the national tour of BOMBAY DREAMS). The company was pure joy to work with -- and living inside such a life-affirming story with all of these beautiful people was one of the most spectacular highlights of my career. On top of it all, I had amazing costumes -- including one just for the curtain call! (Photo: Lia Chang) at Harbor Lights Theatre Company in Staten Island, NY, Lyric Theatre of Oklahoma in Oklahoma City, OK and the Maltz Jupiter Theatre in Jupiter, Florida. What a gift to get to sing this glorious score in three very different theatres, both filled with so much love! I think this show is especially near and dear to my heart because I made my theatrical debut at age 11 as a "Royal Princess" at the Chappaqua Drama Group.
President Bush I also did the show in 2012 at the beautiful Ogunquit Playhouse (looking like a very different “Bloody Mary”!)
PS. It’s always fun to meet a former president when you are at your most glamorous.
Maestro At Lyric Theatre, the conductor, a 25-piece orchestra and I shared a rare "dance" each evening, as the Maestro David Andrews Rogers called it; one I will never forget!

back to top

I was elected to be part of the Council of The Dramatists Guild this year. What an honor to serve alongside literally every living playwright I’ve ever admired! Here are pieces I've written for THE DRAMATIST Magazine.
I love my Dramatists Guild!
Click on the images for a larger views.
What Turns You On inspiration

back to top

Our film (and TRANSCENDING T-shirts) are now on sale in the gift shop at
MOCA, Museum of Chinese in America
215 Centre Street, NYC

Since its debut, our documentary film,
has made some powerful waves and continues to find new audiences:

On August 7, 2009, Wat Misaka’s profile was finally added to the Naismith Basketball Hall of Fame in Springfield, Massachusetts

On October 14, 2009, President Barack Obama invited Wat to be present at the signing of his Executive Order restoring an Asian American and Pacific Islander initiative, and acknowledged Wat’s achievements in his introductory remarks.

On December 20, 2009, the New York Knicks celebrated Wat on the court at Madison Square Garden, recognizing, at long last, his place in basketball history.

It was honored by the Honolulu International Film Festival with the Gold Kahuna Award, the Emerging Eye Directorial Discovery Award from the Roving Eye Documentary Film Festival and was an official selection of the Rhode Island International Film Festival, the Carmel Art and Film Festival, the San Diego Asian Film Festival, the Chicago Asian Showcase, opened the 2010 Houston APA Film Festival, and was a centerpiece film in 2012’s RightsFest Film Festival here in NYC.

Dreams do come true.

back to top

Transcending Poster
The New Deal

Library of Congress
Asian Pacific American
Performing Arts Collection

A portfolio of my plays (and our film) were inducted into the Library of Congress Asian Pacific American Performing Arts Collection in 2010. I am so thrilled that the Library of Congress, in creating the APA Playwright Series, is acknowledging the importance of the Asian American playwright in the landscape of American storytelling -- and of course honored beyond belief to be a part of this collection!

This anthology of plays is now available on Amazon.com.
Click here to order yours today!

It is also available at MOCA, Museum of Chinese in America, 215 Centre Street, NYC

back to top

News about my plays (for details about and synopses of my plays, click here):
Eye D EYE D, my documentary-style theatre piece, had its debut at Symphony Space/Leonard Nimoy Thalia Theatre (95th St and Broadway) on Monday, December 3, 2012. Combining dramatized interviews (done with over 50 Asian American, Latin and African-American women), song, and spoken word, EYE D takes a look at real stories about race, ethnicity and the beauty of Michelle Obama. Direction was Mino Lora. Musical direction by Amanda Morton. Songs by Kirsten Childs, Gloria Estefan and Julie Gold. With Sarita Covington, Maria-Jose Fajardo, Deidre Goodwin, Jaygee Macapugay, Suni Reyes, and Dawn Saito. A post-show discussion followed the play with Vivian Lee of NY-1 and Dr. Lynn Roberts, Community Health professor from Hunter College.

EYE D was sponsored by the Equal Employment Opportunity Committee of Actors' Equity Association, and was also made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by Lower Manhattan Cultural Council, as well as with support from The Open Meadows Foundation and The Puffin Foundation.

Also, through a generous grant from Asian Women Giving Circle and in collaboration with People's Theatre Project, EYE D was presented at Hunter College on Wednesday, March 13 -- and my hope is to continue to travel to other colleges in the future, with student casts taking over the storytelling.

INTERNAL BLEEDING made its Atlanta debut at the Atlanta Black Theatre Festival in October 2012. This play was previously developed with Crossroads Theatre in New Brunswick, New Jersey in their 2010 Genesis Festival and in a 2011 NYC workshop starring Daryl "Chill" Mitchell.
Internal Bleeding

back to top



I've created The Asian American Composers and Lyricists Project, an ongoing initiative to highlight works created and sung by Asian American musical theatre artists, as a creative response to the misperception that opportunities for Asian American artists are low because we don't exist.

Together with a group of Asian American singers, we find ways to present works created and sung by Asian American artists, to not only nurture our own community, but to create opportunities for increased visibility and have a hand at telling our own stories, with authenticity. We had a thrilling debut at the Alice Griffin Jewel Box Theatre at the Signature Center in NYC on May 19, 2013. Jason Ma and I presented excerpts from BARCELONA.

On December 8, 2014, we presented the world premiere of a collectively written song cycle called “Arriving in Asian America” at Symphony Space. Click here for an NBC news article or here for one from Sinovision.

back to top

World Of Theatre

I join such luminaries as the late great Lloyd Richards, Jane Alexander and Tina Howe in a wonderful, comprehensive book called" THE WORLD OF THEATRE, Tradition and Innovation". My profile is an interview about a subject near and dear to my heart: Non-traditional Casting.

I am also now listed in "Who's Who of American Women".

back to top